Möbius Prayers

Möbius strips are intriguing. A Möbius strip is created by taking a closed band, cutting it, and reattaching it after making a single twist in one of the ends. Unlike a circular band, a mobius strip doesn’t have an inside or outside.  If you place your pencil anywhere in the center of the strip across its width and start drawing a line along the path of the strip, you’ll end up right back where you started from. There are some interesting Youtubes and animations about Möbius strips–especially ones with ants and gears.

I want to be able to draw a Möbius strip. I’m getting closer, but not really there. Here’s an attempt.

 

 

 

 

 

 

 

I’ve wanted to draw a Möbius strip partly as a space for prayers–either in the center or along the band itself. I imagine the prayer being spoken or breathed along the strip. The prayer goes on and on without ever stopping–even when I no longer pray it. Here is a prayer for friends and their families using a model of a Möbius strip from a UCLA website.

Rose Window (?) Prayer

I like using nature, geometry, architecture, everyday objects,…whatever is in view as templates for my prayers. The only problem is my inability to draw what I see. I modeled the prayer below from the rose windows at the Archabbey Church at St. Meinrad in Indiana. I taped an 18″ x 24″ piece of paper on the wall of my room and proceeded to draw. What emerged looked more like a mutant dragonfly. I’m a little embarrassed by my below average skills in art realism. But, “Hey,” I remind myself, “this is not about art; it’s about prayer. Go with the mutant dragonfly.” So I let it be.

My artist friends tell me that drawing is more about seeing than the skill of the hand. There’s probably a lesson for me about looking and watching with more care.

Here is the dragonfly prayer and a real rose window.

 

Two Cindys–on Retreat at St. Meinrad

The name Cindy means “woman from Mount Cynthos or Kynthos” (from the name Cynthia) or perhaps, “light” (from the name Lucinda). When I looked up the origin of the name, I expected something a little more dramatic like “woman who empowers, equips, transforms, liberates.” Two of my closest friends are Cindys. Their combined bios include titles and descriptors like CPA, M.Div, MLS, artist, storyteller, librarian, cardmaker, VW engine rebuilder, cook, clavichord builder, mother, theologian, wife, singer, reader, mystic, host, Christian, and friend. Both Cindys have changed my life and empowered me to do things I was too scared to do.

The first Cindy in my life handed me a black pen and colored markers. When my “C-minus-in-Art-self” panicked and almost ran from the room, she opened her kitchen drawer and asked me to choose an interesting object. “Trace around it,” she said, “and when you’re finished, keep going.” In that moment, she set me free to doodle, draw, and color with the tools of an artist–no skill required.

The second Cindy nudged (forced, actually) me to incarnate some of the daydreams in my head. “Wouldn’t it be fun if you told a story and I danced it?” I mused out loud. In my cowardly mind my “wouldn’t-it-be-funs” were always just fantasies not possibilities. The next thing I knew we were performing in front of a woman’s group. My fantasies almost always became realities when voiced in front of Cindy. “Wouldn’t It be fun to lead a workshop together on storytelling and dance?” Bingo! We were on the program of a large Christian Ed conference.

Both of my Cindy relationships feel like experiences of Christian community at its best. The body of Christ verses in 1Corinthians 12 come to mind. When I didn’t seem to be hearing any direct God messages of freedom or vocation or renewal, the Cindys became my divine encouragers with hands and feet and voices. They helped me to see myself anew and to behave in new ways.

I’ve been thinking about them during my monastery week because there is physical evidence in my room of their influence. I go almost nowhere without my markers. My first Cindy gave me the tools and the permission to pray in color. My second Cindy is no longer on this earth. She died about five years ago of ovarian cancer. But when I first came up with the daydreamy idea of spending a week at a monastery, I could hear her slightly impatient voice, “Pack up the car, sister, and hit the road.” One of the things she always packed in her car was a small vase. “Fill it with local flowers; it will brighten up your room.” My vase has lilacs and colorful weeds.

St. Meinrad Archabbey Day 2 1/2

I arrived at St. Meinrad Archabbey in the rolling hills of Indiana on Monday afternoon. St. Meinrad is both a town name and the name of the Benedictine monastery that has existed here since the mid 1800′s. The beauty of the setting and the buildings was unexpected. Dogwoods, forsythia, azaleas, red-buds, hellebore are all in bloom. A palette of greens, browns, yellows, and pinks spatters the hills with color. The sandstone Archabbey Church is a fabulous worship space filled with mesmerizing geometric designs and beautiful liturgical art and sculpture by local artisans.

The purpose of my visit is a week-long, self-imposed retreat to jump-start some writing projects. I am under the misguided illusion that my house and daily life are a distraction to creativity. A block of time away will give me the chance to read, think, pray, write, draw, listen to the Spirit, worship, pay attention and come home with a full-blown book. A few of those things might happen. I’ve been on enough retreats to know this: What I expect and what I receive are often very different. If I’m really listening, my own plans may get vaporized. While I’m alone and “undistracted,” God might have something else in mind.

I have survived my personal monkdom for about 48 hours now. It may not be my permanent calling but for now I’m content to be fed, worship several times a day, take walks and park myself in a chair to read and study.
Two unsought mini-miracles happened last night. (A surprised “Gasp” of delight qualifies an event as a mini-miracle.)
1. At about 8PM I went to the refectory for hot water for tea. The doors were closed. But in the hallway to the refectory were a bunch of priests being entertained by a host monk. They had a tableful of wine; they offered me a glass. If turning tea into wine isn’t a miracle, I don’t understand the concept.
2. I took my wine outside and saw the night sky in the picture below.
So far there is no great miracle of writing. But there’s still time. My friend Susan from Memphis made this wacky observation: “It appears that you are at Hogwarts!  Maybe this means that you will be writing a best seller while you are there.” If that’s true, I guess the book about liturgical practice will just have to wait.

Simple Drawings

Praying in color prayers do not have to be ornate, complicated, detailed, or beautiful. They can be very simple: just a few strokes of the pen, dots, circles, lines, shapes, a splash of color here and there.

My prayer drawings sometimes become kind of elaborate. I like the feeling of prayerful stillness I get inside of me when I finally sit down with my paper, marker, and pens. So I tend to hang out for a while. Drawing creates a prayer closet that helps me to listen and to sometimes grab a word or two for my prayers. But elaborate is not necessary. Simple is just fine.

I like the simplicity of the prayer below. Each person or place on my prayer “list” occupies a spot on the page like a collection of little sticky notes. The action of praying while drawing plants a post-it-like image in my brain. The images pop into my mind on and off during the day reminding me to “pray without ceasing.” (1Thessalonians 5:17 NRSV)

Progressive Prayer

When I was a kid, progressive dinners were a social fad. A progressive dinner moved from house to house–appetizers at one house, salad at another, main course at still another, and dessert at a final location. The guests might be all the same people just moving around together to a different host house. Another model was to be with different people at each location–a kind of mixer or getting-to-know-you event. In each case, the dinner progressed throughout the evening to a different venue with different decor, dishes, atmosphere, and conversation.

I thought of the progressive dinner concept when I was praying for my friend Randall who is in a long recovery from a brutal surgical procedure. A vast cloud of witnesses pray for Randall constantly. When I keep an ongoing prayer vigil for a person, my prayers “progress.” That doesn’t mean they get better; they just move and morph. The places I pray, the time of day, the mood I’m in…all affect the way I pray.

This prayer started out unexpectedly in the middle of my morning writing with a black pen in hand. A couple of days later, my journal fell open to the same page and I was nudged to add to the prayer—color this time. Words worked their way onto the page at a later date. A new iteration may still emerge from this particular drawing. With a progressive prayer as with a progressive dinner, a new time and venue enhance and enrich the conversation. I hope this ongoing prayer is about listening and softening my heart, about being attentive to God’s new and ongoing care and healing in Randall’s life and in mine.

Lenten Calendars for 2013

Happy Easter! Hallelujah! How nice it is to say that word again after suppressing it for forty days.

Here is my finished calendar for this Lent. Unlike last year’s calendar where I focused on the names for God, this year’s entries were a hodgepodge of feelings, character defects, strengths, ideas, images, people and whatever popped into my mind. The pathway format to Easter kept me focused on the day to day journey of Lent.

My friend Connie used the beehive template for her calendar.  During Lent she read the devotional Good News for all People by Michele DeRusha and her husband Brad Johnson, illustrated by Deb Paden. On her blog Vintage Grace, Connie describes combining words from the devotional with drawings and color on her calendar:  ”After each day’s Lenten reading I would find the word that ‘stood out’ for me in the reading and that was my one word for that day of Lent. I choose 5-6 color pencils that were my ‘colors of Lent’ for this season. The repeated use of the colors for the whole Season helps me to see the connected focus of the words.”

Maundy Thursday/Last Supper/Passover Poem

Passover Poem

Pass through the Exit gates of Eden
Pass over the plagues of death
Pass under the Red Sea waves
Pass by in a pillar of cloud
Pass up the offerings of Baal
Pass down the Covenant of God
Pass into the Promised Land
Pass out the loaves and fishes
Pass around the bread and the wine
Pass along the story of salvation
Pass from life to death
Pass through the Entrance gates of Heaven

Sybil MacBeth
Copyright 2009

Praying in Color—The Portable Edition

Paraclete Press and I have just released a new version of Praying in Color. It’s called the Portable Edition. It uses 5/8 of the original edition, 1/8 of the Praying in Black and White version and 1/4 new material. Instead of an almost square book like the original, it is a trade-sized paperback. We partly wanted to update the content, but also make it more marketable for hospitals, airports and other places that don’t like weird-sized books. Once again, I think Paraclete has loved this book into existence. With the prayerful and creative work of the production, editorial, and artistic teams, the book looks great.

Until April 8th, 2013 Praying in Color: Drawing A New Path to God (The Portable Edition) will be an extra 20% off the regular 10% off on Paraclete’s website. Click Here or on the image for the site. At the checkout enter the coupon code: PIC2013. Please pass this on to anyone who might be interested in an updated version or an introduction to praying in color. Thanks!